Friday, November 09, 2007

Kew Gardens

Kew Gardens


We went to Kew Gardens to see the Henry Moore sculptures. Here's a baker's dozen piccies.

Both the blog and the gallery now support people leaving comments. Click on an image and you'll see a link on the right. In the blog it's at the bottom.

Monday, September 10, 2007

The British Museum

British Museum

I finally got time to go down and have a look at the new roof in the British Museum. It's terrific. The light coming through is very soft so does not cast significant shadow. The museum's photography policy is also very friendly as long as you don't use flash or a tripod. Very low light meant I often had to find a wall or a column to brace myself for exposures as long as an eighth of a second.
Once again the result was developed in the bathroom and I'm pleased with the result having finally achieved consistent colour with accurate temperature and time control.

Enjoy

Tuesday, September 04, 2007

A Trip to Highgate Cemetery

Highgate Cemetery

At last! Out taking piccies again. This, another adventure in Ilford HP5+ iso 400 and developed in the bathroom (promicrol).

Click on the pic or the link and it'll take you to the album.

Enjoy and let me know what you think.

Thursday, June 07, 2007

Sunny West End

Sunny West End
Too long since the last post.

I'd tried to aim for something being posted about twice a month, I now see that this is likely to be far more erratic. The practical reality is that this is not possible in two separate ways: the impulse is not routine; and there never seems to be enough time or opportunity for a creative impulse.

So.

Some more about the photos for now.

The home colour development stupidity progresses well and I think I can say I can do the robotic 3 minutes 15 seconds bit needed for the development phase pretty well. However, the pictures posted at the above (Sunny West End) link exhibit unacceptable levels of grain. Sluething around revealed that although my timing in the developer was spot on, the temperature may be suspect.

I calibrated every thermometer in the house: the medical ones, the darkroom ones, the cooking ones, the general purpose ones - and, every single one was different from every other single one. By a wide margin.

I need to do some further scrabbling about in the undergrowth to get to the bottom of it. In the meantime please enjoy a rather angular set of pics of the west end.

Sunday, April 08, 2007

Easter 2007


I was asked where I got the title of the last blog entry, "Down where the charted Thames doth flow". It's from William Blake's "London" but I got it wrong. It should be "Near where the chartered Thames does flow". Here is the whole beautiful piece.

London

I wandered through each chartered street,
Near where the chartered Thames does flow,
And mark in every face I meet,
Marks of weakness, marks of woe.

In every cry of every man,
In every infant's cry of fear,
In every voice, in every ban,
The mind-forged manacles I hear:

How the chimney-sweeper's cry
Every blackening church appals,
And the hapless soldier's sigh
Runs in blood down palace-walls.

But most, through midnight streets I hear
How the youthful harlot's curse
Blasts the new-born infant's tear,
And blights with plagues the marriage-hearse.

Saturday, March 31, 2007

Down where the charted Thames doth flow

I took these pictures in March. The black & white ones, I developed myself and scanned at 6400 dpi with 16 bit greyscale . This gave an average file size of 100Mb. The colour one's were processed by Michael in Spark's photo lab round the corner in Stroud Green Road and were scanned with 48 bit colour at 6400 dpi giving an average file size of 250Mb. At these sort of sizes this is less like photography and more like wallpaper design.

Down where the charted Thames doth flow

Wednesday, March 07, 2007

The Fortingall Yew

The Fortingall Yew


Some twenty two thousand years ago

a bone was notched with a clumsy tock

from a flint glancing across time.

stone struck ticking bone

for some seventeen thousand more years.


And then about three thousand BCE

the yew put down roots when

a settling seed pinned itself to

some holy ground in Perthshire

and called it home

just as the footings for Stonehenge were dug,

here in Fortingall, foundations were grown.


Neolithic tombs built of eschatology gave

a floor show for the sapling yew,

as the graveyard grew.

Our death was its witness.

The sight of burial by a poison bower

soon gave us ways to conjure war

by ritual and artifice.

The yew gave up the long bow

to Thanatos and our vice,

performed by ghosts

in the half life of misty groves.


The yew watched and bore testimony.

And grew.


Until our mercantile ways

saw off large splinters

for sale as souvenirs

and nearly killed it.


It was walled and protected

for its own good, and some say

that the bones that once were

sixty five foot round,

eleven, stretched finger tip to finger tip round,

in the graveyard by the barleycorn,

might be good for another

five thousand years.


Witness of our death.








John Ochiltree 2007-03-05

Tuesday, March 06, 2007

My first blog.



Well, this is it. My very first dip in the toe of the elbow in the hot baby water of blogging.
I'd thought I'd try and make it a bit of a showcase so it will have a mixture of photos (the one above is from a magical 3 weeks spent in Dominica. It should link to my Picasa photo site), poems, and, if I can work out how, links to music. Occasionally I might even put up some comment on new technology but I get enough of that at work!
I'll stay off politics, too. Well, as much as I can resist, but I get enough of that at work as well!